Thursday, October 5, 2017

More music that makes me happier...

Welcome to thatwasrockandroll.

Today, I've found a relatively new (2016) song that has managed to evade me until now.  I don't listen to terrestrial radio anymore, mostly because the Internet has plenty of options and I've become a fan of Ambient Chill, something that no over-the-air radio station would play under penalty of death.

Also, I pretty much find that almost all current music--well, to coin a phrase--sucks.  I don't know my Katy Perry from my Ariande Grande, but I can tell when something has been touched by Max Martin.

Max is a Swedish producer/songwriter/Svengali who has essentially created the sound we hear on pop radio.  Just about everything Katy Perry, Britney Spears, Taylor Swift, and any number of Pop Chanteuses that have been populating the charts with the past 10 years released was written/produced/influenced by him.  When he produces something, you can't mistake it.

I don't have children, and therefore don't see all that many movies aimed at them.  Yes, I saw How to Tame Your Dragon (both of themand anything Pixar makes, but a number of kid movies go right by me.  And it's that blindspot that allowed me to miss today's Happymaker when it was attached to the movie Trolls.

I also missed the first 15 minutes of this year's Academy Awards, or else I'd have gotten exposed to this song in February.  I'm not a big Justin Timberlake fan (too old, obviously).  But man, did I miss this one.  It's simply the best dance tune I've heard in 10+ years.

And I'll even forgive Justin and Max for stealing (let's be frank, this isn't a "sample", or an "homage".  It's outright theft) of the baseline from Chic's "Good Times".  Same number of bass notes, same pause, same run down the fretboard between two three note and the six note runs.  Bernard Edwards (genius bassist who created all those memorable tunes ("Everybody Dance", "My Feet Keep Dancing", the aforementioned "Good Times", "My Forbidden Lover") is rolling (and rocking) over in his grave.  

Theft aside, this is a fabulous tune, with that signature Max Martin touch (throbbing baseline, brighter than bright chorus atmospherics, at least one or two breakdowns).  I also know that this song would have been top 10 without a vocal.  How do I know?  Listen to this:


And as evidence of the felony, the prosecution enters into evidence this clip:


Go to 3:22.  Hard to miss it.

Anyway, my endorphin level peaks when I hear Justin's song, and I'm happy Disco has made a comeback.  I told Disco Haters in 1977 that their children would be listening to it because it was universal, and easy to digest.  Turns out their children's children will also be hearing it.  Besides, this song has HORNS, a surefire nod that whomever wrote/arranged/produced it grew up listening to music from the '60s and '70s.

And to leave you, here's a YouTube clip with Timberlake's song synced to dancing from 70 years worth of movies.  It's fun and I can't imagine the work that went into it.  Enjoy.


More later...


Pete

Tuesday, October 3, 2017

Music that makes me happier...

Welcome to thatwasrockandroll.

Between the deaths of Walter Becker and Tom Petty, the real possibility of war with North Korea, the incredible slog ahead of Puerto Ricans, and the ongoing war against the poor and disadvantaged, there are moments where it seems only logical to give up and crawl into a hole.  But when that feeling sets in I find that certain songs elevate me regardless of the gloom around me.

I'm gonna share some of the more obscure tracks that always bring a smile to my face and an elevation of my mood.  We start with perhaps my favorite of all.

I'm not a big John Hiatt fan.  I'd be hard-pressed to name any of his songs other than "Slow Turning", "Have a Little Faith in Me" and today's track, a song that demands your energy and rewards it with a rollicking guitar riff and a pounding beat.  It's always seratonin for my mood.

Nothing else to say but strap in and go.


Got more where that came from.  Stay tuned...


Pete

Monday, October 2, 2017

There's been a change...

Welcome to thatwasrockandroll.

I have nothing eloquent to say.  Another Hero gone too soon...








And last, but certainly not least--the iconic video:


Mick Jagger said it well--"What a bitch it is getting old"...


Pete

"Prog"? "Rock"? "Prog Rock"? "Rock Prog"?

Welcome to thatwasrockandroll.

The late '70s was a time of experimentation in rock music.  Genres collided.  Instrumentation was evolving as the synthesizer was introduced (even synthetic drums, which sounded nothing like real drums, but still).  Holdovers from earlier in the decade came into their own (Chicago, Elton John, ELO, etc.), and others were just happening (The Police, Alan Parsons, Genesis, etc.).  Oh, and Disco was King.  More on that in subsequent posts.

It was a heady time, and interspersed with the big guys were little guys who made great music for one or two records.  One of those is my destination for today.  40 years after the fact it's probable that almost nobody remembers the German/British band Lake.  They were unabashed popsters, with a straight ahead musical sound that was familiar but still unique.

They made two records before falling off my (and probably everybody else in North America's) radar.  They made 10 more records, but almost all of them were European releases.  I'm sure they enjoyed a strong revival in the '90s and early 2000s.  It was very consumable music.  But every now and then they slipped in something "different".

"Welcome to the West" was the leadoff track from Lake II.   It was one of those mashups between "rock" and "prog".  It was a ballad, with some very different meter changes from the verses to the chorus.  And the lyric was very political--it referenced the appeal of the West to those living in East Germany in the late '70s.  I grew up with two Germanys--one a democracy, the other a Soviet acolyte.

It's uplifting while also being very satirical.  A sample:

Every Friday we'll give you some pay
Enough to survive
We'll keep you alive
Here in the West

A very catchy tune with a sly dig at how much "better" things were in the West.  Of course, things WERE better in the West at that time.  So was the music...


More later.


Pete